Tobias Stutz: Timeless Architecture in Color

The artist Tobias Stutz creates pictorial spaces in which the clarity of modernity meets the quiet desire for retreat and reflection. Partially inspired by Bauhaus aesthetics and imbued with the flawless visual language of digital culture, he creates paintings that oscillate between cool precision and sensual depth. His works are states of mind, architectural sensations that transport us into a world of contemplative deceleration.

With reduced forms, a finely tuned dramaturgy of light, and a color palette ranging from cool steel blue to earthy red to muted green, Stutz paints imaginary architectural icons that are equally reminiscent of Californian villas, modernist designs, and digital utopias. In them, silence, longing, and structure condense into a language that will appeal to architecture lovers and collectors of contemporary painting alike.

Born in 1983 in Filderstadt, Tobias Stutz studied painting with Prof. Ralph Fleck at the Academy of Fine Arts in Nuremberg. A guest semester in Budapest and a master's degree at the Alanus University in Alfter near Bonn had a decisive influence on his artistic style. Today he lives and works in Bonn, from where he enriches the German contemporary art scene with his unmistakable visual worlds.

Stutz does not simply paint spaces - he paints the idea of space. The formal rigor of his paintings recalls the icons of the Bauhaus and the uncompromising clarity of Mies van der Rohe. But what makes them special is the subtle emotionality that pervades them. There is no human being to be seen, and yet the viewer feels invited to take a seat, to breathe, to linger.

Tobias Stutz's works combine formal brilliance with an intellectual depth that transcends trends. They are an expression of a new minimalism that is not cool, but human - and thus extremely relevant to the discussion of space, identity and aesthetics in the 21st century.

We look forward to showing his work at E30 Gallery.